Friday, December 29, 2006
Thursday, December 14, 2006
Tuesday, November 21, 2006
Filmes De Travestis Para Baixar
LEO BURNETT ADVERTISING: The Marlboro Man
1954 Leo Burnett created the Marlboro Man, an advertising legend, perhaps the largest in the history of advertising. 
1954 Leo Burnett created the Marlboro Man, an advertising legend, perhaps the largest in the history of advertising.
Tuesday, November 7, 2006
Get Genital Warts From Manual Conduct
FUTURE: speed and modernity
1-We want to sing the love of danger, the habit of energy and fearlessness.
2-Courage, audacity, and revolt will be essential elements of our poetry.
3-exalted literature to date the painful immobility, ecstasy and sleep. We want to exalt the aggressive movement, feverish insomnia, the running pace, the mortal leap, the punch and the slap.
4-We affirm that the world's magnificence has been enriched by a new beauty: the beauty of 5-speed
We want to celebrate the man who holds the steering wheel, the rod which passes through the Earth, launched a race, it also, on the circuit of its orbit.
6-The poet must be Prodicus with ardor, splendor and magnificence, to increase the fervor of the primordial elements.
7-There is no beauty in the struggle. No work without an aggressive character can be a masterpiece.
8-We are on the extreme wealth of the ages! as we have already created eternal, omnipresent speed.
9-We will glorify war-the world's only hygiene-militarism, patriotism, the destructive gesture
10-We want to destroy museums, libraries, academies of every kind and fight against moralism, feminism, and against every opportunistic or utilitarian cowardice
11-We will sing of locomotives chest, gliding flight of airplanes. E 'from Italy that we launch this manifesto of violence and arson in which we base overwhelming today the future.
These are the words with which Filippo Tommaso Marinetti founded February 20, 1909 in Paris, the Futurist manifesto. 
1-We want to sing the love of danger, the habit of energy and fearlessness.
2-Courage, audacity, and revolt will be essential elements of our poetry.
3-exalted literature to date the painful immobility, ecstasy and sleep. We want to exalt the aggressive movement, feverish insomnia, the running pace, the mortal leap, the punch and the slap.
4-We affirm that the world's magnificence has been enriched by a new beauty: the beauty of 5-speed
We want to celebrate the man who holds the steering wheel, the rod which passes through the Earth, launched a race, it also, on the circuit of its orbit.
6-The poet must be Prodicus with ardor, splendor and magnificence, to increase the fervor of the primordial elements.
7-There is no beauty in the struggle. No work without an aggressive character can be a masterpiece.
8-We are on the extreme wealth of the ages! as we have already created eternal, omnipresent speed.
9-We will glorify war-the world's only hygiene-militarism, patriotism, the destructive gesture
10-We want to destroy museums, libraries, academies of every kind and fight against moralism, feminism, and against every opportunistic or utilitarian cowardice
11-We will sing of locomotives chest, gliding flight of airplanes. E 'from Italy that we launch this manifesto of violence and arson in which we base overwhelming today the future.
These are the words with which Filippo Tommaso Marinetti founded February 20, 1909 in Paris, the Futurist manifesto.
Tuesday, October 24, 2006
Monday, October 2, 2006
Sunday, May 21, 2006
Bangbros Episodes Blogger
Cathartica
Sounds voices and dances of the Mediterranean
Through the vibration of a drum one is exposed to a heterogeneous sun, absorb it sounds like the spokes made of earth and trampled footprints left by cultures, people, beliefs, rhythms and words.
genres and the colors are mixed in the paroxysm generator, get lost in the circle.
obsessive rhythm, hypnotic that come to life in the mists of time, from the 'uninhibited instinct of a Bacchante Strap on a tammorra to ingratiate himself with his God, the Satyr of Pompeii, from the foot of a Taranto who wants to dance, from the hands of the tambourine player that bleed but do not stop dancing on the skin.
Catharsys was that quality which Aristotle attributed to music in the purifying of the 'human soul: and musical forms "not educated" people have as a primary need and spontaneous popular expression, they are inevitably pervaded.
Catartica The group offers a show that travels through the melodies, percussion and dance of southern Italy ', imagining the contamination and changes of vocabulary and stylistic features music suffered from the "tradition" through the centuries of exchange and domination that have actually influenced the constant changes. Sounds of the nearby Mediterranean but also of black Africa that are intertwined with Tammurriate, tarantella and pizziche to recall the French rondeau sayings of popular wisdom that accompanies the bell. And as the dance music resulting hybrid.
Luca Rossi: frame drums, voice
year student in ethnomusicology at DAMS in Bologna. He has made numerous collaborations with members of the popular music scene bell dance and theater companies (Taranta Power Bologna, CentroNazionale Theatre). He participated in several national and international festivals: 2005 El Jem (Tunisia), Mediterranean Mosaic (Salento), Patras 2006 (Greece), Concert of May 1 (Bologna)
Antonio Remedy: oboe and accordion
he graduated in 1996 under the guidance oboe G. Giuliani. In later studies with Francesco Di Rosa at the academy "A. Rolla "in Pavia. Within
concert has played and still plays an intense artistic career as a soloist and as a professor of orchestra in Italy and abroad (Germany, Croatia) also working with several theater companies and established players. Meanwhile, attracted by a strong interest in music began to approach to other genres and in 1999 he was admitted to the school of composition where In June 2003 it won the composition competition "Giordano Noferini" and awarded a scholarship as the best student of the year.
In October 2003 he obtained a diploma's degree in composition to "use music and multimedia technologies" with honors and was awarded both the low degree in "harmony and counterpoint" of the traditional course.
At the same time is dedicated to the study of modern and traditional accordion with Arnaldo Bettelli and Simone Zanchini collaborating with several bands, from film music to world music.
Domenico Candellori:
percussion percussionist, music therapist and researcher in the field ethnomusical.
this on the music scene since 1998 and percussion instruments from
the Italian tradition, and African cubana.attualmente is course coordinator of frame drums for the school Taranta Power Bologna.
has played with: Teriaca ensemble, De Andrè quintet, Orietta Berti, Babylon System Rebels, Jure du king bed and performing in local Italian and esteri.Ha participated in music festivals such as Summer Festival (Marche), Festival of El Jem (Tunisia ) Mediterranean Mosaic (Puglia), May 1 (Bologna), Orietta Tour (New York).
Domenico Bocale: vocals, guitar swing.
graduate studies in philosophy, specializing in aesthetic and anthropological belonging to the last generation of singers of the Gargano, from which he is handing down the oral tradition autoctona.Suona with many of the leaders of the popular scene Gargano.
Roberto Caccavale: bass loops
began studying electric bass at the age of 15 years working in a self-taught 'area with various blues.
is currently engaged in several projects and dub-fusion bassist for the popular music group "Ethnicity." Follows the parallel studies of double bass at the Conservatory of Benevento under the guidance of Rino Zurzolo.
Ash Lombardo:
ballet dancer, choreographer and researcher in the field of ethno-choral.
His research ranges from the most diverse dance investigating the historical link, which unites the social and expressive.
He started in 2001 by studying the expressions of the folk dances of Salento in the form of field research, then climbing in high Puglia, and Campania, where he learned various forms of traditional choral tammurriata. From 2002 he began an intensive study and a variety of academic dance: flamenco and Sevillanas, hip hop, traditional African dance, Baharatanattyam, modern jazz, hatha yoga.
He attended numerous courses and workshops including dance: contemporary dance with Virgilio Sieni, Silvia Traversi; Buto dance with Yoshito Ohno, Capoeria with Mestre Ciro and theater with Michele Monetta, Giuliano Scabia, Wanda Monaco and theater with NO Monique Arnaud.
has participated in theater and dance theater, collaborating with different directors.
is now a solo dancer in the group Catartica Sounds and Voices of Mediterraneo.Ha developed his own style of dance that combines Tammurriata with the movements of ecstatic dance of African derivation that called 'Tammurriata which holds a black lab.
Sounds voices and dances of the Mediterranean
Through the vibration of a drum one is exposed to a heterogeneous sun, absorb it sounds like the spokes made of earth and trampled footprints left by cultures, people, beliefs, rhythms and words.
genres and the colors are mixed in the paroxysm generator, get lost in the circle.
obsessive rhythm, hypnotic that come to life in the mists of time, from the 'uninhibited instinct of a Bacchante Strap on a tammorra to ingratiate himself with his God, the Satyr of Pompeii, from the foot of a Taranto who wants to dance, from the hands of the tambourine player that bleed but do not stop dancing on the skin.
Catharsys was that quality which Aristotle attributed to music in the purifying of the 'human soul: and musical forms "not educated" people have as a primary need and spontaneous popular expression, they are inevitably pervaded.
Catartica The group offers a show that travels through the melodies, percussion and dance of southern Italy ', imagining the contamination and changes of vocabulary and stylistic features music suffered from the "tradition" through the centuries of exchange and domination that have actually influenced the constant changes. Sounds of the nearby Mediterranean but also of black Africa that are intertwined with Tammurriate, tarantella and pizziche to recall the French rondeau sayings of popular wisdom that accompanies the bell. And as the dance music resulting hybrid.
Luca Rossi: frame drums, voice
year student in ethnomusicology at DAMS in Bologna. He has made numerous collaborations with members of the popular music scene bell dance and theater companies (Taranta Power Bologna, CentroNazionale Theatre). He participated in several national and international festivals: 2005 El Jem (Tunisia), Mediterranean Mosaic (Salento), Patras 2006 (Greece), Concert of May 1 (Bologna)
Antonio Remedy: oboe and accordion
he graduated in 1996 under the guidance oboe G. Giuliani. In later studies with Francesco Di Rosa at the academy "A. Rolla "in Pavia. Within
concert has played and still plays an intense artistic career as a soloist and as a professor of orchestra in Italy and abroad (Germany, Croatia) also working with several theater companies and established players. Meanwhile, attracted by a strong interest in music began to approach to other genres and in 1999 he was admitted to the school of composition where In June 2003 it won the composition competition "Giordano Noferini" and awarded a scholarship as the best student of the year.
In October 2003 he obtained a diploma's degree in composition to "use music and multimedia technologies" with honors and was awarded both the low degree in "harmony and counterpoint" of the traditional course.
At the same time is dedicated to the study of modern and traditional accordion with Arnaldo Bettelli and Simone Zanchini collaborating with several bands, from film music to world music.
Domenico Candellori:
percussion percussionist, music therapist and researcher in the field ethnomusical.
this on the music scene since 1998 and percussion instruments from
the Italian tradition, and African cubana.attualmente is course coordinator of frame drums for the school Taranta Power Bologna.
has played with: Teriaca ensemble, De Andrè quintet, Orietta Berti, Babylon System Rebels, Jure du king bed and performing in local Italian and esteri.Ha participated in music festivals such as Summer Festival (Marche), Festival of El Jem (Tunisia ) Mediterranean Mosaic (Puglia), May 1 (Bologna), Orietta Tour (New York).
Domenico Bocale: vocals, guitar swing.
graduate studies in philosophy, specializing in aesthetic and anthropological belonging to the last generation of singers of the Gargano, from which he is handing down the oral tradition autoctona.Suona with many of the leaders of the popular scene Gargano.
Roberto Caccavale: bass loops
began studying electric bass at the age of 15 years working in a self-taught 'area with various blues.
is currently engaged in several projects and dub-fusion bassist for the popular music group "Ethnicity." Follows the parallel studies of double bass at the Conservatory of Benevento under the guidance of Rino Zurzolo.
Ash Lombardo:
ballet dancer, choreographer and researcher in the field of ethno-choral.
His research ranges from the most diverse dance investigating the historical link, which unites the social and expressive.
He started in 2001 by studying the expressions of the folk dances of Salento in the form of field research, then climbing in high Puglia, and Campania, where he learned various forms of traditional choral tammurriata. From 2002 he began an intensive study and a variety of academic dance: flamenco and Sevillanas, hip hop, traditional African dance, Baharatanattyam, modern jazz, hatha yoga.
He attended numerous courses and workshops including dance: contemporary dance with Virgilio Sieni, Silvia Traversi; Buto dance with Yoshito Ohno, Capoeria with Mestre Ciro and theater with Michele Monetta, Giuliano Scabia, Wanda Monaco and theater with NO Monique Arnaud.
has participated in theater and dance theater, collaborating with different directors.
is now a solo dancer in the group Catartica Sounds and Voices of Mediterraneo.Ha developed his own style of dance that combines Tammurriata with the movements of ecstatic dance of African derivation that called 'Tammurriata which holds a black lab.
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